There’s one I see around town often enough. I was parked at a red light next to it the other day and it was remarkable how shitty the panels look up close. They’re not really flat and planar. They’re sort of wobbly like corrugated tin.
There’s one I see around town often enough. I was parked at a red light next to it the other day and it was remarkable how shitty the panels look up close. They’re not really flat and planar. They’re sort of wobbly like corrugated tin.
Exactly this. It also lacks the gravity of an entire concept album preceding it and two minutes of static death sounds at the end. It’s a sanitized cover of a song that shouldn’t be sanitized.
Krull (1983) is an all time favorite of mine. It’s the most D&D plot you’ve ever seen coupled with beautiful cinematography and a great score by James Horner.
God damn you.
Lol, I’m sorry
statement:
comparison:
- kind: libcompare.EQUALS
comparators:
- foo
- bar
whentrue:
statement:
streaming:
- kind: libstreams.PRINT
content: foo equals bar
whenfalse:
statement:
streaming:
- kind: libstreams.PRINT
content: foo does not equal bar
Actually, Pythonscript is a whitespace-sensitive Python-to-perl transpiler.
Never had a beer that I liked. There are some I can tolerate, but none of them are actually enjoyable. So I usually go for cocktails, either a gin and tonic or a Moscow mule.
Yeah, that’s a really weird way to finger a G major. I will play it with my second finger on the third fret of low E, first finger on the second fret of A, third finger barred across B and high E at third fret. If I’m playing a song that requires certain chord changes (like the way Wonderwall drops from G major to a G/F# to an Em7 to a Dsus to an A7sus) I will use third and fourth finger on the high strings instead of the barre because it’s easier to move the root notes around that way.
Anything from Neutral Milk Hotel’s album In an Aeroplane Over the Sea. The whole album is Guitar 101.
It’s very, very costly, both but the hardware and the electricity it takes to run it. There may be a bit of sunk cost fallacy at play for some, especially the execs who are calling for AI Everything, but in the end, in AI doesn’t generate enough increase in revenue to offset its operational costs, even those execs will bow out. I think the economics of AI will cause the bubble to burst because end users aren’t going to pay money for a service that does a mediocre job at most things but costs more.
I am bisexual and somewhat poly. With some of my friends I have a more publicly physical/intimate relationship. We may hold hands, hug, or kiss. In private, we cuddle and… do other things as well. I imagine the straights of Lemmy will largely tell you they don’t cuddle their male friends while the queer folk will give a different answer.
I don’t want thinner. I want more functionality. Don’t expect me to pay 2 grand for a laptop with no external USB or HDMI ports, for which privileges I can pay an additional $100 or so. I’m frustrated enough by the lack of Ethernet jacks on my Lenovo. The last time I had a Mac (work shipped me one), I was even more frustrated by how bad the built in trackpad and keyboard were and the fact that using an external device to replace them came at a premium price.
Tori Amos’s Silent All These Years. That mercurial little piano riff. The painful lyrics. The liberation of the middle eight. It’s a perfect song.
Yes, media portrays coming out as something you do once and then you’re out! Really, it’s something you do over and over again with every person or group you come out to. Some people are easier to come out to than others. Whether we do it and how we do it depends a lot on the specific circumstances.
Edit: I once heard this terminology reversed and it really resonated with me. That is, it’s not about who you are out to but who you let in. It’s a privilege to be on the inside, not an obligation for you to be out.
“Filmed on a canoe” is how I put it.
The sequel was worse: a hackneyed “elements” magic system and a plot that would only work on a much longer time scale. Too much stuff crammed into too little movie.
I get it. I love the slow pace, the beautiful cinematography, the careful dialog. But it’s not for everyone.
Really, the media finally realized millennials don’t care if we killed Applebee’s or whatever, and they’ve moved on to the next thing to scare boomers with. “They hate us because we buy bags of paper napkins” becomes “They hate us because we can use old style keyboards.” Generations are not a monolith. You can compare them, but it’s stupid to pass judgment in that way.